Monday, May 05, 2008

Greetings From My Planet



I truly have been working hard on the costume rushing to get it finished and on Cindy by performance this coming weekend. Altered a skirt and blouse set for Cindy's daughter Sky to wear as one of the Hollywood Blondes in Gypsy. Got that done early this morning and then went back to work on Cindy's.


I've backed the butterflies with purple felt, chalked out the wing design on the silk, put the placket and the elastic in the skirt, and cut the Firmatex backing that will support the butterfly and beads on the skirt. Now I'm working on the headpiece.

Cindy found this leather belt with silver glitter on it and I applied it over the brocade on top of a padded headband. The antennae are made of three ab chenille pipe cleaners that I twisted together and beaded with crystals. I pushed the ends through the belt weave and twisted them in place and applied a ton of glue.

Use 527 Multi Purpose Cement from Bond to glue leather and fabric to any plastic or wood surface. I will glue and wrap the edges down after I've done the beading and finish the ends of the leather. Bead tassels will go on the ends. Tonight I airbrush wings and skirt fabrics with butterfly markings.

Cindy and I talked about how many costumes I've made that I never thought to take pictures of or was too rushed to do them. Maybe some will turn up in someones archives somewhere.

Wednesday, April 30, 2008

Intermission


Hardly got squat done on the costume last night. My creative bone went on strike with my three remaining brain cells, stole the car and went to the bars in Ybor for a rampant night of carousing. I stayed home drooling.

Talked to Cindy. She saw her costume online from her trip to Georgia and loves it. She's the one I have to please on this project, after all.

Found the following from Deepak Chopra with whom I have a like/barf relationship with. One line struck me though. I get up most mornings and sing praises of thanks about how very lucky I am. I love my rickety old, hurricane damaged and disorderly house, the gone back-to-the-wild acre of land it sits on, the wonderful views of water and nature I have from every door and window, and I'm so grateful that I've been privileged to live on a gorgeous planet. And not everyone can say that they have a cat that lives on their roof.

The line I highlighted below just tickled me since I have the strangest dislike for the falseness of money, wealth, objects showing it and the desire to accumulate more. Have been that way all my life. Now shiny objects and lint...there will never be enough of!

Adapted from How to Know God, by Deepak Chopra (Three Rivers Press, 2000)


The state of “I am” is at the source, and is pure being. “I am” forgoes pain and pleasure. Because all desire is centered on pain and pleasure, it comes as a surprise to find out that what I wanted all along was just to be. There are many kinds of worthwhile lives to lead. Is it worthwhile to lead the life of “I am”? You can live any way you want. By analogy, think of the world as a movie that includes everything; you cannot tell in any way that it is a movie; therefore, everyone behaves as if the scenario is real.

If you suddenly woke up and realized that nothing around you was real, what would you do? First of all, certain things would happen involuntarily. You wouldn’t be able to take other people’s drama seriously. The smallest irritants and the greatest tragedies, a pebble in your shoe and World War II, become equally unreal. Your detachment might set you apart, but you could keep it to yourself.

Motivation would also vanish, because there’s nothing to achieve in a dreamworld. Poverty is as good as a million dollars when it’s all play money. Emotional attachments would also drop away, since no one’s personality is real anymore. After you consider all these changes, not much choice is left. The end of illusion is the end of experience as we know it. What do you receive in exchange? Only reality, pure and unvarnished.


You shouldn’t pay so much attention to the movie.


If someone asks “Who are you?” every answer is misleading except “I am,” which means that we are all misled, even the miracle workers. We are the victims of mistaken identity. Our time has been spent projecting versions of reality, including versions of God, that are inadequate.



(Ed. Note* The photo above is Titled: Waiting for Curtain-Up by Rob Wallace - Wonderful photos!)

Tuesday, April 29, 2008

Skirting the Issue

"Gypsy" is set in the 1930s, so I took my cue from the old Busby Berkeley musicals of the day. Check out the majorette skirt!


The result is a little pleated skirt with 30s sensibilities out of the dyed brocade. I set in pleats with the iron before applying the hologram sequins around the hem. Be sure you use a press cloth and test your iron on fabric scrap to see if there's melting or shrinkage before you hit the real thing!

You can start to see the finished shape of the costume now. The beaded fringes will go under the butterfly and will be backed with a Flexifirm underlining so it will stand straight without bending towards the curve of the body. We love our 'kitty bellies', but we want to keep them to ourselves!

The butterflies are creased severely, but it's hard to see it in a straight on view. I'll be adding the spring posts so they 'twanga' and two small pieces of elastic will hold tension on the wings so that they flitter a bit.

Today I'll finish the skirt back with a placket, Velcro and a button. Two small lengths of elastic will go in place in the sides to keep the skirt in place and allow for the acrobatics dancers do onstage. I'm also cutting the gauntlets, sewing the shoe laces, and will chalk out the wing designs and cut the skirt and bra backs.

Sunday, April 27, 2008

They Are Airborne!

I'm almost finished! Just need to put the backing on the butterfly appliques, heat set the center press with the iron, and attach them with springs. The picture above shows the beaded edge. This is an easy and effective finish to do with small beads and a whip stitch. You can use a sharp instead of a beading needle if you're driving it through Trimtex or Flexifirm because beading needles tend to break. Just use a bead that you test with the eye side of your needle to be sure it slides over.


I used some lavender and turquoise clear rocailles that Cindy and I found on eBay. I also added a row of the hologram sequins anchored with a rocaille to tie it together with the bra bead and sequin pattern. There are AB celendon green bugles used as accents. If you click on the pix you can see a larger picture and maybe a bit more detail. The long beaded strands you see are the ends of the long tassel which will go over center front of her 10" long beaded fringe. I'm still working on it.


I opted to use feathers and am really pleased with he results! I used colors from the brocade and the airbrush paints that I'll be painting her wings with. I think the feathers add a wonderfully tacky background to the wings and give them that outre' that Cindy's character Tessie would have her retired seamstress make her. Bottom left corner shows one of the appliques turned over so you can see the feather application to the back - again with good ole Aleene's Super Fabric glue. Click on it for a better look. I'll trim the quills when I've let them set a bit more and then make a back lining of the brocade. Should have the pantie skirt finished and think I'll make it a separate piece so that she can wear a clean pantie while washing the other pair.

Her character shoes came in yesterday along with the lace body suits. And hallelujah, they fit her tall frame! Always an issue with one-size-fits-all pieces. But the net and lace stretch just enough.

Her shoes will go to the shoe maker to have two industrial grommets placed into the sides so we can thread ribbon lacing through to emulate pointe shoes lacing. She bought some hologram ribbon just tacky enough to do the deed.

What do you think about the feathers?

Friday, April 25, 2008

Butterflies Are Not Free


But they are almost ready to fly onto the costume. Spent the past hours beading, setting stones, and embellishing the butterfly appliqués with additional glitz. I glued them to a Flexifirm backing with Aleene's Super Fabric glue, turned over the edges and glued then pinned them down to dry as you can see in the first picture above. Flexifirm is a very thick interfacing something akin to craft plastic or styrene and can be heat shaped when I'm happy with the look.


In the close up you can see the stones I used to shape and trace the wings and body. I used AB faceted crystals in a medium amethyst and pale turquoise blue pillow beads on the wing halos, rim set AB crystals in two colors to compliment the silver and gray iron on studs that form the rest of the butterfly and then used silver lined rose violet rocailles to outline the top and bottom of the wings. The smaller butterflies have a modified version of the beads and stones.

I will do more embellishment, put a on beaded edge, and am trying to decide whether or not to use feather tips around the edging before I put on the back lining lining. I like the different finishes of the stones.

Wednesday, April 23, 2008

Bells and Butterflies

What you're seeing in the picture above is some of the prop pieces for the stripper's costume. The white lace with red and blue stones is the G-string that one of the Toreadorables picks up in the dressing room and hangs around her neck because she thinks it's a necklace. On the shoulder are the colored jingle bells Cindy's character installs on her costume as a gimmick in the 'Gotta Have A Gimmick' number.

We found some incredible appliques appropriate for an actor and I gussied up a tee-shirt for her as well. These three items are ready to go out the door.

Today, I work on the butterflys that go on the front of the gostume. I used the back side of the brocade I dyed as a contrast and will embellish and back them.

The gorgeous green silk gauze wings are cut out. I will keep them together as I lay out the color design with chalk before airbrushing them. Then they will be cut out, edges rolled, I'll stick a few pounds of beads and sequins on them to help weight them and finish with a collar and the dowels in the front edges.

The white ball of light you're seeing at the bottom of George's scratching post just flew by as I photographed this with the tripod. The other light balls on the green gauze I didn't see until I uploaded the pictures. I hope 'they' were approving my work!

This is the finished piece of 10" beaded fringe to go on the dance pant. The beige you can just barely see is the lycra pant and the brocade above will be pleated into a split skirt to cover the front. I'm also beading an 18" tassle for center front from additional colors of Miyuki's and rocailles. When you bead on a header of twill or horsehair, or even directly onto a garment. Keep your work from coming undone with a dab of fabric glue on all the knots on the wrong side.

Monday, April 21, 2008

There's A Bead In My Mouse


So. I know that doesn't sound quite upright, but it's true. I've been sitting in front of my computer, watching Dexter reruns, and beading the front fringe for the stripper's dance pants. Using your mouse pad as a bead surface has disadvantages.

Last night, after I put my work away, I hear this rattle every time I use the mouse. It's a bead that found its way inside via a tiny hole on the plate - and I can't get it out. It'll have to stay there and become half of a high-tech set of maracas.

I'm using strands of all of the bead colors we bought online. Anchor your beaded fringe on a substantial twill tape or horsehair braid as I did in the picture. Waxing your thread makes beading easier and adds to the longevity of the strands. I use regular top grade polyester sewing thread so that I can choose the color to match the bead. I double the thread and wax the ends to glide through the eye of the needle.


The trick to threading a tiny beading needle is to find the 'sweet side' - there's one side of the needle that is kerfed like a sewing machine needle with a narrow channel around the hole which helps guide the thread in. Moisten the eye of your needle - not the thread. The moistened needle eye wicks the thread towards the eye making your job faster. I pinch the very tip ends of the thread between my thumb and forefinger and press the needle down over the thread. Works better than a wire threader for me.


Also. If you're making beading fringe, hank beads work faster than loose beads. You can use the temporary hank threads to guide the beads onto your waxed thread.


More bead work tonight and lots of fiesta shaking of my mouse maracas!

Friday, April 18, 2008

What Was My Ancient Name?

by Darla Nunnery

Florida. I was sand and the green slippery roots on the ocean floor. Sun Father wanted me fertile, wanted to see his children there upon me, but I was already flourishing, just not in the way he wanted. He is my partner so I revealed my shoreline to his seed. Great beasts and humble men nestled in my groves, caught salty food from my seas, and bathed within my clear, cold caverns.

These children are mine as well as his; now their tribes and the name they gave me are lost forever. Outlanders call me Land of Flowers. Yes, they name me by my most sacred and beautiful treasure. These men of metal see only my beauty and virtue, not my wrath. I feel condemned to accept the choosing of whatever these men ravage. I sleep.

Occasionally when I wake I see men with plows. I see children who like to swim and fish. I hear hawks cry and and see buzzards flying in a spiral downward. There are women who love me. There is one who raises each morning and calls me by my name. I answer her with the scent of orange blossoms.

Like all who are virtuous and fertile, they fight over me. Grey suits hide and blue men can only sail around. Metal is replaced with cattle. Steam. Soot. Dust. What will you eat when your farm lands are gone?

I hide and so do those who love me. We lay awake at night together and listen to crickets and cicadas. I love to visualize the healing which will take place when the Outlanders are gone, the ones who only live upon me and not with me. If you eat food that is grown from me you are me. Your breath is made possible by my pine and palmetto offspring. The Children I invited with Sun Father are welcome, you are ALL welcome. Do not forget your own children; their inheritance is me, and I am not dead.

Practice Wings Finished


Cindy came over for the practice wings yesterday. I finished them up with Velcro in the car! Since the clean and reorganizing fest last weekend, I can't find diddle here!! Tip with Velcro: Always put the scratchy loops on the garment that's closest to the skin and the soft loops facing the skin. Velcro hook side is just nasty to feel rubbing against your skin.



Also used a variegated ribbon in greens as the collar piece faced with ribbon and bias and as the pouches to hold the wing dowels. I put a small 4" ribbon patch overlapped half an inch on the open top edge. This keeps the dowels from falling out when they're raised.


The power net is a no go. Won't take the tea stain. Makes it look a bit greenish, and not the good kind of olive skin tone greenish either! I'm having Cindy order 2 floozy looking body stockings from here and here (warning: nudity!! )which I will embellish with beads and crystals. One is net and the other a patterned lace. Her bra and dance pant will go over this so that the only thing naked about her will be her nose unlike the Pamela Anderson Lee model look alike.

Monday, April 14, 2008

Embellishing The Bra


Finished covering the bra and straps, sides are tucked under and stitched. I sewed four rows of hologram sequins along the tops of the cups and three rows of alternating green and medium purple Miyuki beads. Next comes the cup lining then onto the dance pant.


I don't think the power mesh is going to work for a body suit. After cartining it around under every light source from sun to LED to neon to incandesent, it is going to make Cindy's skin look like it has an unhealthy corpse-like pallor. I'm going to experiment with tea dyeing. Make that tea staining. It is Lycra after all. If the tea doesn't tan it up a little, we'll be searching for a body suit.



Pictures show the bra up to now. Under bust darts are plain in the pictures and you can see the slight ruching on the strap coverings which allow the elastic to expand.

Sunday, April 13, 2008

Jaws


Another sleepless night. I spent it going out with the flashlight trying to get George to answer me. I was in a total panic mode because I thought that this would be my fourth death in under a month and a half, and my fifth in less than half a year.

I could see her up on the dormer roof curled up totally still, but she wouldn't respond to my calls. I waited for first light because I thought I was going to have to go up there somehow and bring down a body. Mature, Rubenesque women have no business climbing up on roofs! And my neurons just might have decided that it's time for one of my spaz-outs sending me off of the overhang waving to the neighbors.

Then... glory! When I went out and called to her a little before 7:00 a.m, she pops up and wags her tail cat fashion, happy to see me, ran over to the edge of the roof and jumped down! She somehow had managed to get her jaw unlocked during the night. Maybe just relaxing in sleep or exhaustion did it. She was hurt yesterday afternoon after the Paradise Cleaning Crew left. I just cringed every time I looked at her up there with her jaw jacked wide open, head down and drool coming fast and furious. That must have been painful for her.

I figured out what happened: I heard a huge thump and roll on the roof just before I went outside yesterday. That's when I saw her up on the roof trying to get her head up and her mouth closed. The neighbor's white cat was running down from the deck and I shooed him off.

At first I thought that he had done it fighting with her. Then I remembered the thumping noise and went to where she was standing when I first saw her injured. There was a good sized oak branch that had broken the tall prickly pear cactus under her. It must have hit her as she was napping up there and dislocated her jaw. As most cats do when injured, she did not want anything to do with me knowing that I'd be messing with it trying to fix it.

Anyway. She's inside. Napping on my lap. Will stay inside until further notice. And I'll leave the neighbor's cat something else in his food bowl as an apology. Yes. I've been feeding him. You know me and strays. He seems to like it more here than his own home and has been talking to me instead of running away. He might need a snack while he's here.


George has had a rough time. She's used up two of her lives with the tea tree poisoning episode and getting bonked by the oak branch. She's started sneezing furiously the last few days. Not sure if it's the last of the melalueca coming out of her system or what. She's also lost a little weight. Not surprizing with all she's been through.


Anyway. I'm glad to have her back. Relieved not to have to bury another friend. I know that I'm at another crossroads in my life. This sort of thing doesn't happen to me without there being some major life change or move. Examples I gave to my good friend Pam Wood who lives in Randall, North Carolina when she asked if I was getting ready to 'check out' myself:


I'm not too sure that gacking is off the table with all the deaths I've been having. It's crossed my mind with all the souls that look to me leaving. I have been mentally pushed to write my will, clean up this house and get shit simple to handle. I don't want to leave a mess for my posse either. Whether that's for me or Annie, my executor and health care advocate, I don't know. It could be just so that I can get the business out of the way to be freed up.

I've done the purge a number of other times in my life. Every one of them involved a major move: Got rid of a marriage's worth of household stuff, had only what would fit in the back seat of my car alongside a cat, a dog, my guitar and a sewing machine and left Tampa for Atlanta; Sold everything I'd accumulated in Atlanta including complete suites of Basset dining room and Kohler living room furniture and moved to Kansas City; Got rid of a bunch of shit in KC - including some the moving men left in closets and cabinets and moved to Las Vegas; Sold a house in Vegas, got rid of some shit and moved to Salt Lake City; Had Chris, sold all that shit and moved back to Atlanta with Chris so Steve could pursue his classical guitar career; Divorced Steve, kept Chris, sold the house in Marietta and moved BACK to Salt Lake City; Met Jim and bought the ranch in Indianola, then divorced him, left a bunch of shit behind including horses and moved to Pleasant Grove; Left Utah for Tampa and this is where I've plotzed.

Robert at the Aquarius Papers** told me I was at another cross roads in my life. At first, I took it to mean death, but I'm starting to think that it may be connected with another move and life change direction. You might want to look into a yurt for your back yard just in case it's in your direction I'm changing.



I beaded on the strippers bra last night. All done with that. Will post you another picture of progress later on.


(**Whether you advocate for astrology or not, it's interesting to read this man's insightful and hopeful outlook. I found him searching for symbology with all the transitions and getting rid of stuff.


The picture is from the blog "Cat Named Jane", another cat lover. While George is solid white, this is exactly how she looked with her jaw dislocated.)

Saturday, April 12, 2008

Covered Bra and Practice Wings





Pictures show progress on the practice wings dyed, cut and shaped, and ready to be pleated on tothe neck piece and have the dowels inserted. The markings were not airbrushed on. I manipulated the fabric while dying it with pigment dyes with foldings and creases. Letting the dye drip onto itself in spots created the water marks.
The clover leaf looking curve around the bottom edge allows the wings to stay off the floor when they're down and gives a wing shape when extended. I've got both wings pinned together on the left shoulder of my mannequin so the center back is to your right as you're looking at the picture.



The bra is under way nicely. I draped and pinned the fabric and basted it down. You can just see the under bust darts that are slip stitched in place. If you are covering a bra for belly dancing or a stripper costume, always use the bias on the diagonal of the cup and be sure you cut 4 to 6" more than you think it'll take to cover it. I always leave 4 inches or so on the sides and tack it only to the top and bottom of the bra elastic stretching the fabric slightly so that it gives. Leaving the ends open allows the side flaps to slide on the elastic bandeau. When I'm happy with the lay of it, I'll clean finish the edges by hand, sew a soft flannel lining into the cup so Cindy's "hoohaas" will be happy and will cover the straps with a loose ruching of bias brocade.


Hard to see the color. It's iridescent gold with purple and teal highlights and bits of blue here and there. Fancy headlights, huh!?!


Tomorrow, I'll finish the practice wings and start the layout for her silk wings with the airbrush. I had a group of excellent friends over today to help clean and organize. Most of the fabrics and trims I've had in four rooms is in the made-over storeroom. Shelves line the walls and there will be some in the middle of the room library style. I can now see almost everything I've got. Pictures of that later.

Wednesday, April 09, 2008

Dye Job




Yesterday was day two of dyeing. I prepped Cindy's silk gauze by washing it in soap to remove the worm gunk in it and mixed up dyes. The first dye bath turned out too light a pastel because I got chicken and removed it before time was up. I used two blues in the next dye bath - denim and royal plus dark green to get a deep teal green. This time, I left it in the immersion for the full time then some and got this incredible teal green!




I used a flash on the silk hanging on the line so you can see the contrast as light hits it. The yardage in the background is the true color. I tinted the dance pantie and bra I'm using for Cindy's daughter Sky. Sky is worried about her mother's reputation and virtue among her young friends when they find out that Cindy is playing a stripper. Instead of leaving the costume base nude, I allowed them to sit in the dye bath so it's a little more obvious she has something on besides wings.




Got this wonderful brocade with a gold swirl pattern woven in metallic. I first dipped it in the teal dye bath to pull it together with the silk gauze then drizzled various pure colors on it - purple, dark green, light and dark blue. I love the results! The back is as beautiful as the fashion side! I'm saving scraps for art projects down the road.




The brocade will cover the bra and straps and the front of the dance pants. I was going to tone it down with an overlay of teal silk gauze but will wait and see how tacky it looks without it. I'm covering the pantie front tonight and will hopefully get to the bra tomorrow.




Cindy's bringing over the compressor for the airbrushes we got on eBay. I discovered that canned air only goes so far, is cumbersome and costly. Let me know what you think about the colors!

Sunday, April 06, 2008

Finished!



Finally got all the handwork done on the purple kimono. As I may want to show this garment in a show someday with Cindy's permission, I made the frog artsy as I do on many jackets such as the kimono.

You can see from the closeups all the beads and gemstones I used. The 'button' is a mother-of-pearl tooth used as a toggle through a nephrite jade ring. I left the end of the bias tube unfinished because it reminds me of a peace lily. Bead and crystal calyxes of course! You can't see all the sparkle but I guarantee you it's there!

I dyed the fabric for Cindy's practice wings just because there was a vat of dark cedar green pigment dye on the back porch left from Jeannie's gown. The fabric is quite a bit heavier than the silk gauze I'll be using for the real things, but I figure that they'll simulate the weight of the real thing after I finish piling on beads and bling. Also bought an extra set of dowels for the practice wings. I suppose I should put a picture of them up as well as I go.

The kimono just needs a final press before it goes on a hangar and in the bag.

Saturday, April 05, 2008

थें थे रूफ़ Fell In

The title was supposed to read "Then The Roof Fell In", but I've had this weird thing that happens in the title line that turns my writing into Urdu or some such.

I'm still coping by laying low. After the bout with George last week, I went to the Mango Post Office to pick up my mail Wednesday p.m. There was yellow police tape all around, official postal vehicles and inspectors, and a mess in the lobby. Seems the roof fell in under the weight of water from the afternoon storms we sometimes get here in the tropics.

Went to the temporary site to see if I could pick up mail and the first thing I said to Mitzi and Linda was that I had nothing to do with it and didn't touch anything. I'm trying to protect others by not getting around them so whatever I have doesn't rub off.

George is holding. I can tell that her coordination is affected and she does not have the power she had before the tea tree oil to make the beautiful jumps she could do. She's still staying close to me and is eating. She misses Loverboy terribly. So do I.

Wednesday, April 02, 2008

What I Learned About Tea Tree Oil and Cats


This is what yesterday had in store for me.

I put tea tree oil on my one remaining cat, George and then went on line after she started growling and acting weird to see what the vet sites had to say about it. Tea tree is toxic to cats and can kill them in doses of just 1% in pet shampoos and I put pure oil on her!!

After her running up in the attic and me trying to get her down calling, cajoling and climbing as far as I could on my step ladder, I called DJ to see if my nephew was around. He wasn't available but DJ said she and Jimmy would come as soon as Jimmy got back.

I tried calling every emergency service, animal rescue, fire department and cop I could think of. None of them would help except the animal trappers which would come over for $250.00 minimum. Humane Society offered a feral cat trap to leave up there with her. I tried explaining that she was poisoned and needed to get to the vet immediately but that was all they could suggest.

After a frantic call, I went over to pick up Tary Peace from work (Bless her ENtire soul) and she tried getting her down. Tary actually crawled up in the attic with GeorgeShe couldn't reach her under the eaves and had to give up .

Tary had suggested I open a can of tuna which I did. After Tary went home, I waved the tuna around under the attic and she finally let me crawl up the ladder and get her down. Jeannie Miller said she'd be here to help, too. I called both DJ and Jeannie back and told them that I had her. I've got an excellent bunch of friends. To a one of them, they would drop what they're doing and come help.

I bathed her as much as she'd let me with dish soap as the vet site suggested and took her to the vet. She still reeks of tea tree.

The vet did blood work on her kidneys and liver which seemed to be within limits, gave her a shot of cortisone and something to help stabilize her and told me to watch her and wait. So far, so good. I feel very lucky and blessed. She's alive. George has stuck close by me, which is great since she ducks every time I go towards her but wants to stay close. She's afraid I'll do something else to her, poor thing!! Don't blame her.

She slept with me last night and seems to be okay if not entirely herself. She got up last night calling and looking for Loverboy a few times and that wasn't easy. She's eating a little bit but I haven't seen her drinking her water. She's also been to the cat box.


I'm staying at home and I'm going to try not to talk to anyone. I seem to have this cloud around me just now and do not want to chance 'passing it around'. Please do not use any products on your animals without first checking on line! Many vets do not know the toxicity of tea tree! Go here to look.

I don't dare tempt Fate by asking "how much more..." because I'm afraid of the answer. Please keep me in prayer and add George, too! We'll take whatever flavor you have. I'd appreciate them.


Sunday, March 30, 2008

Found Him


Loverboy. Just buried him in the yard under the datura. Car probably hit him yesterday. That's why he didn't come when I called. I had asked for a time of peace before I buried another friend, two or four legged. I guess this is a test to see how much I can take before I curl up in a ball.

Stripper's Kimono Update

The 1920s style kimono is to the hand work stage. I should have had it finished by now, but everyday stuff got in the way. All the hems are done and I'm shooting for hand-stitching the sleeve linings and collar down. The bias tube for the kimono frog is made and will be applied - with beads! - after the finish work.

Also cut out a mini kimono for Cindy's daughter, Sky who's following in her mother's footsteps. She's one of the Hollywood Blonds in the play, too. Her kimono has trim of her mom's brocade and a purple satin body since there wasn't enough of the butterfly brocade to do a whole kimono.

I also dyed some stretch knit sheer for a pair of practice wings so Cindy can block her scenes. 'Blocking' is where the director places the actors in their spots on stage for each particular scene, runs them through the choreography and movement in relation to the scenery, props and other actors so that it looks smooth. Considering Cindy's wings are going to be quite the space taker, I thought I'd run up a pair of non-detailed surrogate wings while I work on the real thing.

I'm missing a cat since yesterday morning. Loverboy went outside after breakfast and I haven't seen him since even though I've looked and called. I miss him and wish he'd come home.

Also discovered that I threw away a cardboard box of writings from several years as trash. I'm in a delete mode around here but did not intend to do that. I'm philosophical about it since I really can't retrieve it. There's a message of letting go of the past here. I'm trying.

More pictures later on.

Wednesday, March 26, 2008

Stripper's Kimono


Finally had to go with template to get everything on the page. I'm okay with it. Doesn't have the pop the first template had, has none of the probs the second one had, so I'll stick with it if it will stick with me.

This is Cynthia's kimono for the play. I've cut out the brocade and basted it together, sewed the seams I'm sure of as I cut and draped it. The sleeves are serendipitous due to two factors: The brocade we bought had sun damage along one end of the goods. I'd planned on cutting around and above these and then would use the balance for piping or bias. I added the sleeve extensions deliberately placing the fabric so that the satin changed the light with the direction of the grain fro a two-toned effect. I liked the color contrast so much that I thought that the sleeve lining could use up the lightened fabric. Starting to look like a 1920s stripper's kimono!

The sleeves are on, need a pressing and lining needs to be stitched down. The collar panel will go on today. I did not use the traditional front and side gores because I thought the effect over her show costume would make her look hippy with all the extra folds.

Note to brocade users: Serge the edges of every single piece or you'll end up with brocade fibres in your feed dogs, seams, stitching arm, George and your mouth. They're especially worrisome when there's static in the air!

Monday, March 24, 2008

Template Mucking

I loved the last template I used, but the problem is that the margins just were too huge and squished everything so that a portion of a side item would be missing. Bear with me as I experiment to see if I can fix it or have to go to a different style of template.

Saturday, March 22, 2008

Tessie's Costume From Gypsy: Hunting and Gathering


So. I'm retired. But I do take on the occasional project for one of my own. My own this time is friend Cynthia Miller-Ray. She's playing Tessie for all she's worth in a community production of 'Gypsy'. Would I make her costume? Absolutely. Said Southern style as I've said before....'Has a cat got an arse?"


So. What does a costumer go through when you take on a project?



  1. Step 1: Concept and Design. Here you study your character and discuss it with the director, stage manager, property and scene people and your actor. Who are they? What do they do in the production? Does their role have any special requirements like acrobatics, dancing, rigorous fighting? What colors or lighting effects do you have in your background? Should they stand out as a principal player or recede into the background as an extra? Think Meg Ryan in the red dress in a city street full of gray pinstripes and sensible shoe clad business women. You come up with sketches or mock ups and hash them over with your director, production staff and actors. Cindy approves my rough sketch. We've decided to stick with Tessie's 'Gotta Have A Gimmick' butterfly concept with wings, a body suit, headpiece with antennae and appliques in the fig leaf places.

  2. When the costume has been approved, you begin hunting down the basic ingredients of what you'll need to build the costume. In Cindy's case, I won't have to go through a huge amount of revisions, matching fabrics and colors with backdrops and pleasing the other production staff members. She trusts me and we've worked together for years so I know her style, what colors are good with her Titian coloring, turquoise eyes, and Amazon tall frame. We don't have to please any directors or scenery people in this case - one of the lovely things about working community theater rather than equity productions. They're mainly just tickled to have someone doing the chore for them.

  3. I hunt on eBay, the Internet, Etsy, through my own stash of fabric, for some baubles and trim. I make sure Cindy stands out in the crowd so I like to lavish on the glitz whenever I can. When we gather all our materials together we've got: About 2 pounds of various beads, rhinestones with rim sets, holographic textile glitter, stud sets and crystal in teal, purples and violets, and AB golds - thank you eBay sellers. We have an airbrush and propellant from Dick Blick so I can paint the wings and the skirts of her costume with butterfly markings along with basic paints to mix colors with and metallics in copper, gold and silver to highlight the markings. Two wooden dowels from the local crafts department are to channel into the upper edges of the wings so that she can 'fly' them. We got 12 yards of silk gauze for wings and skirts from Dharma Trading Company. And there's gorgeous oriental brocade in a purple with woven silk butterflies for a kimono from Joanne's fabrics. Her body suit is of a nude stretch net which will blend with her skin tone once it's all together.

Next we'll get on with construction. Stay tuned. Oh. And part three of the how-to tute is coming after I get up enough nerve to tackle the camera and construction again in a few days!

(Note: The pic above shows from left to right, top to bottom, sort of: Purple kimono brocade with embroidered butterflies, sketchbook, just above that the white silk gauze, to the immediate right of the silk, the basic airbrush colors plus opaque white and black, to the right of the basic airbrush colors is the beige power net. Just below the silk fabric, basic paints and power net are the two dowels for her wings, the bead assortment in the clear bead box, and Czech crystal heat set rhinestones and the boxes of rim set crystals. In the box on the upper right is the single action airbrush and components, CFS free propellant, metallic colors, and heavy grip textile glue.)

Wednesday, March 19, 2008

Part Two Small Quilted Wallhanging Tutorial

I have a small fold at the top of my piece with a fabric header above it for visual interest. You don't have to use bias as I have. A different texture fabric than your main embellished layer would add a tactile element to your finished work. If you don't want to add a header, skip steps through and baste around the edges of the four layers.

5. Below, you can see I've folded down the beaded top and pinned a piece of 1 1/4" wide bias tape right side down towards the interfacing and batting.

6. The bias is dropped from the top edge about 5/8" to 1". Use a running stitch through all layers backstitching every few stitches to anchor your work.

The red dashes below shows stitch placement.




7. The bias is dropped so that when you fold it back and pin it, the top edge of the bias or fabric is even with the top of your batting, interfacing and backing. Baste the bias at the top together through the batting and backing.




8. When you turn the edge of your cuff back, you'll stitch through the bias just above the bottom fold for a clean edge and no inner layers showing.


9. The picture below shows the stitches hidden under the fold.

Part One Small Quilted Wallhanging Tutorial

This is a tutorial on how to make a small quilted and embellished wallhanging like those in my New Orleans Blues Fetish series listed on Etsy.com. These small pieces are wonderful to brighten up a narrow wall space or hung in clusters.





1. Start your piece with a 4 1/2" X 6 1/2" top. I recommend using a sturdy fabric that can stand up to the weight of your embellishment and hold its shape after quilting. Your top can be pieced, embellished with beads or gemstones or collaged with fabric scraps, lace and ribbon. The first picture above shows the beaded piece ready to be quilted.


2. After your top is ready, cut a fabric backing, batting and interfacing the same size as your top as in picture 2 just below.



3. You'll stack your work with a layer of sew-in interfacing, batting and backing under it. The interfacing under the embellished layer doesn't show up well in the third picture. It's the edge of white just under the beaded top. Don't worry if your layers aren't exactly the same. You'll trim off the extra after they're all basted together.



4. Once together, pin the different layers together starting with the center and working towards the edges smoothing your layers as you pin.


Thursday, March 13, 2008

Angel of Death


Just buried another friend today. Not Sally Jo. Her service was in Georgia last week. She has another one here in Tampa at the Sheriff's office mid April. I'm talking about my old outside tomcat, Skitty.

He's feral, had terrible manners in the house so had to live the bulk of his life out doors. The front porch was his domain. He had a house with a sleeping pad to stay out of the weather and he's been eating me out of house and home for the past few weeks. Then he started losing weight fast.

I found him on the ground unable to move and in a coma Monday. Put him in a box and sat with him until he passed. I buried him in one of his favorite sleeping spots and put a rock over him so the neighborhood dogs don't disturb his rest. I don't want to go into details because I'm still really upset.

I really need a break from all this passing and death. I need a chance to grieve one before there's another. So I guess I could call the last post "Three Funerals and A Wedding" now. I told friends that I'm feeling like the Angel of Death. The good news is that I'm fat and can't fly so I won't be visiting anyone's house.

(Note: The image above is "Field of the Slain" by Evelyn De Morgan, 1916

Monday, March 10, 2008

Two Funerals And A Wedding


No. I didn't get the title of the movie wrong. I just renamed it to suit my life. I just had my next sequal to the "Two Funerals" part as Sally Jo passed Monday, March 1st at 7:30 a.m. I'd been on the phone with her throughout the night talking into her ear as she was going through the mechanics of leaving.

Heavily sedated and in that coma we get to when it's close to time for the boat to leave, she could no longer respond, but she tried. Her sister Katy held up the phone to her ear while I cooed to her that it was going to be alright, that she could let go, and that I'd see her soon so save me a spot on the bench. Katy said she opened her eyes the first time I called when I told her I loved her and that she was a good friend. All I heard was Sal's moan.

I think she was trying to say, "EE-awk-eee!" It was our signal of hello to each other. I've had code words and signals with friends since being small. Always lets you know that the person outside the door really is of your tribe. Well. Sal's moan did sound a bit like EE-awk-ee! Or maybe she was just rearranging what was left of her spit under her tongue. She was pretty doped up. But the experts say that hearing is the last sense to go. I hope so. I wanted her to know that I was there with her in spirit and will continue to be.

The family had one service in Augusta. Another one will be held here. Sally asked if I'd write her eulogy the last time we had a phone conversation that made sense. I told her yes. Only I said, "Has a cat got an ass?" It's what she expects me to say as a definitive answer to the positive. I'm also getting some of her ashes to put on my altar down here at Dogpatch. I may have mentioned all this before. If so, forgive me. It's been a long month with all these life rituals going on and my synapses are fried.

The wedding part of the title comes in with a lot more joy. Longtime friend Jeannie Taylor asked me to 'do' her wedding gown. She brought me a traditional white 1980s number with a long chapel train, enormous leg-o-mutton sleeves, and 10 pounds of lace appliqués and beading. She wanted it emerald green. Dye is out of the question for acetate gowns as the fibers don't take it. So I got her to get some green pigment dye with a small jar of black pigment to drab it down from Dharma Trading Company. We both agree that it is one of the most gorgeous things I've ever made.

The dye streaked, pooled and puddled. It took heavier in some areas and on the appliquéd lace, tinted the iridescent sequins and glass pearls. You'd swear that fairy creatures imprinted themselves on it because I sewed bead eyes on them all over the skirts. I removed the damaged bead and pearl fall from the front and replaced it using some of the pearls removed and beads Jeannie had picked out.

There were three special strands: One for Shirley who was Jeannie's mentor and surrogate mother that had her star bead on it, one for me with one solitary vitrail teardrop I had for me, and I used real emerald beads and crystal for Jeannie. When she came down the staircase at the church, you could her an audible 'ah!' from everyone. She was just stunning! Her Cherokee coloring and wild mane of hair looked like she stepped from virgin forest into the room. I loved that she, along with her maids went barefoot. They also jumped the broom!

Her wedding theme was a Celtic one with her maids dressed in Renaissance Faire wear and the men sporting doublets and real Irish Claymore swords they used to salute. Jeannie carried a basket of ivy and herbs. I cried. I always cry at weddings.

The picture above is Jeannie at one of the fittings. I'll show you the finished project in a future post. All in all there are about 30 or more hours in the dress, hundreds of extra pearls and beads and several days of treating my skin to bleach to return it to my normal beige instead of cedar green speckles and blotches everywhere.

Suggestionss for reduxing a vintage wedding gown:

Think beads and embellishing for repairs and alterations. Instead of ripping seams and removing boning to take in the gown, see if you can pinch the seam up and anchor it on the outside with a beaded running stitch. Looks like it was built on purpose! I'll try to get some close-ups of what I did.

If the gown is too wide in the shoulders, try pleating over the very edge of the yoke towards the sleeve top and using the beaded running stitch to take it up. Hand sewing is diriguer because you need the control that can only be achieved by hand manipulating the ease of the fabric.

Instead of using the traditional method of removing the skirts and lining to shorten the gown from the waist, consider making a pleat in the bottom of the skirt or small, draped tucks and accenting them with appliqués or beads. Decorative hems are already a feature of wedding wear. You know my motto: If a little looks great, pile on some more!

The type of dyeing I did on Jeannie's gown is very eclectic and not for every taste. The color is purposely not evenly distributed and pooling and checking of dyes were wanted in this case. Don't consider dying your gown a different color unless you're into S&M, like having dyed skin and feet for weeks, have a huge yard or warehouse to do the chore in and at least 3 days to allow the dye to work and set. Oh. You'll also need a vat the size of a livestock feeder to accommodate the up to 24 yards of fabric involved. And a bottle of Advil for the backache of lifting and hanging 24 yards of wet fiber.

Tuesday, February 26, 2008

Rabbi


The definition of Rabbi can be summed up in the essence of one word - 'teacher'. I just found one in a comment from Pam. Whether Jewish or not, this blessed soul and his wife gave me another Life Lesson told in such a beautiful way. Would that all our lives and experience could be explained in parables such as this. Thank you. Both - Dina

Blogger Pam said...

I think you are a brilliant writer. Your story was very moving. I wanted to write something to help you understand how wonderful it was that you helped that little bird, but I am a terrible writer! So I asked my husband. Here is what he wanted me to tell you:

"There is a story from Jewish tradition, that in the beginning of creation the essence of God could not be contained by vessels that God used to contain it; the burst sprayed the universe with shards of Godness. It is believed that simple acts of loving kindness gather up the these shards and repair the world. Your actions in caring for a bird, a baby, one seen by others as insignificant gathered up a spark of Godness in the world. You have truly done the work that I believe the universe asks of us."

I hope this will be of some comfort to you.

Sunday, February 24, 2008

This Wounded Bird by Dina Kerik


A bird fell to earth tonight. It is a tiny creature and an otherwise insignificant event, really. It was brought down by my cats from the nest because it is vulnerable. The cats are following their nature to take advantage of the weak and available. Is it natural selection or a cruel streak? I hold the bird cupped in my hands. It is alive and squawking with alarm when I take it away from the cats. The hollow between my breasts makes a resting spot. It is quiet there. I hold the bird and it is still for so long that I have to check to see if the beating heart I feel between my fingers is the bird's or my own.

I was awakened from my sleep to retrieve the bird. The neighborhood dogs were talking about the mayhem taking place on my terrace under the moon flower arch I built out of bamboo. I told Karole and Tary that the arch is a vaginal arch, one for rebirth. I hope it can rebirth this bird with its gray and white and black feathers (all moon flower colors) from the carefree, joyous savagery of my cats.

I hum, soothe, and cry. I summon the Four Pillars of Nature. "If this is to be a death, let it be a small death befitting a creature of this size. No pain! No pain at all", I demand, crying. I'm feeling wounded myself.

"I am a walking wound", I tell Jan Roberts. She is a therapist and a good friend. She is much more than these things: One of those women to whom wearing a large soul is a natural phenomenon, like the honest face she shows to the world. But these two, counselor and friend, are the two that matter to self-absorbed me now. "I am a walking wound", I wail. I hope she can Band-Aid my psyche again this time, patch it up long enough for the strong ichor of me that lies in impotent pools about my feet to gain strength and rise up through these old bird legs of mine to heal the latest volley of outrageous misfortune.

I pick the bird up and it clings to my fingers like branches. I bring it inside cooing, cupping, consoling. "There, there", I say. And. "I know", I say, because I do. I stand in the dark kitchen looking out the window on the perfection I've tried to build here as if placing beauty just outside myself, a barrier arises between my soul and the dementia just beyond the fence.

Pots and plants and crystals and chimes and Tibetan bells that the wind plays like harps. Careful thought is given to the placement of certain things. An abandoned car tag and an old and dented Cadillac hubcap hung on a wall give a jaunty savoir faire to my huge prickly pear cactus tree. Other things are left to chance. A volunteer mulberry tree allowed to grow and flower finds a saucy Jeannie Taylor picking berries under the branches every year as part of her springtime rites. Another mulberry provides a different shade of green as backdrop to the bleeding heart with its riot of blossoms. The bleeding heart is from a twig I broke off Miss Alford's plant the last time I saw her looking over her shoulder at me with a flirty, girlish smile telling not to kill myself with work before she passed. Together, the pattern is joyous, an outside sign of my inside spirit - still hiding, waiting for safe times to come out.

So. Here I stand with this bird, both of us wounded; Summoning, coping, cooing. The bird does not protest until I try to place it in the basket, a Russian scarf on top, heating pad in the bottom. It looks like a package bound for market: Who will buy this bird? And who's coin is willing to buy me? I'm damaged goods, you know.

There always seems to be something unacceptable about me; something shopworn or broken in the eye of all the discriminating consumers who pass through the river of my life passing judgment on the goods, embarrassed by my peculiar standards of living. Don't they know they're at the bargain table where diamonds are hidden among the costume jewelry, Degas amongst the cheap paint-by-number art? I make the shoppers uncomfortable with my willingness to stare down the maw of the world.

"You'll starve without a job", they say. As if the dressmaking and the artwork I do seven days a week, often 16 hours a day to pay the bills is not work. And I keep planting pineapples, and limes, and pomegranates and eating fat tomatoes and squashes shamelessly making juicy life between my hibiscus and roses (the kind of roses I'm told that I'm not supposed to be able to grow here in Florida - I'm ALWAYS doing something that I'm not supposed to do according to the expert opinion of the great collective THEM out there). I cook up turnips, green beans I farm out of pots without help from DuPont, fry yams and bananas I grew with my own hands in real shit and sandy dirt. Now. I ask you, who's richer.

"You have no stocks, no savings", THEY say. But I'm a good and careful student and I see where history wipes out stocks and savings with a fickle overnight hand, authority takes up property through enclosure or feudalism in one form or another.

"Those who give up essential liberty to purchase a little temporary safety deserve neither liberty OR safety", Ben Franklin said. He said this between trysts with his mistresses. There IS no security except in holding this bird cupped in my hands. THAT is my job. THIS is my savings.

We're all so angry and embarrassed and guilty at/around the poor and ill. We don't want to look at them because there is this part of us that's afraid that we'll have to DEAL with poverty and illness on a personal level. If we don't LOOK at IT, IT will not exist , either in ourselves or in our worlds. It's like someone trying to pull out of the parking lot in front of you into traffic. If you don't make essential eye contact with the driver, you don't have to perform the small act of kindness and let them in. If we don't SEE a thing, we can deny its existence. The truth is we're ugly and cruel to our poor and our ill. We don't see that.

"How dare they be needy! How dare they be ill! If they would get up off their asses, there would be no homelessness, no malingering illnesses, no poverty". These are the people you can not argue with. They are fools. No amount of statistical information, hard data, empirical evidence or facts of the matter will change their minds because you have touched the Trudy place in them.

Trudy, the bag lady in "The Search For Intelligent Life In The Universe" is a latter-day intellectual. I think Trudy needs to be up there with Pliny, Aristotle, Descartes, Goethe - you know. All the big names in philosophy-subject-to-change in the world as it is. She knows that the spiffy dressed up women on the streets of New York can't look her in the eyes because they fear to see themselves in HER place.

"How dare they be needy! How dare they be ill! If they would get up off their asses there would be no homelessness, no malingering illnesses, no poverty".

We praise Mother Theresa and her ilk with, "Yes! Yes! YOU will take care of all of THEM! Let's let Mother Theresa do it"! Then we don't have to get our hands dirty with their nasty little wounds and their mewling sounds of poverty. Then we don't have to see by touching them how close we all are to becoming bag ladies; we don't need to deal with the poverty in our own souls at all.

"You're too fat...drink too much....take up too much time..pain me with your illness..." What I really do is awaken your fears. They are reflected in my eye and you see it. You can give it a name because you recognize it when the mirror I hold up shows it to you. You hold your fear cupped in your hands beneath your breast like this bird.

It's like when you stub your toe on Something Big that you forgot was there on the floor and your other foot has to hurry up and complete the dance step. You are angry at the Something Big that has the audacity to be where the sole of your foot should be. You are angry with me for showing your fear to you. Then don't look! Simply feel and see if YOU can tell the difference between the beating of the thing's heart and your own.

How many of us have died in the burning times and pogroms and wars and coups and police actions because a stranger was afraid to stand next to us and timidly question the humanity of it? It is easier to slink away, blaming the victim for our crimes as we go. This salves our consciousness yet leaves an edge of the truth sticking out from underneath it like a trail of toilet paper following a bathroom shoe.

All that said, should I become involved with this bird? I don't know because I never thought to ask the question before I did.

My home has become refuge for the halt and the lame of the world. They recognize me and come to me, Queen of the Lepers. I laugh when I see them. THIS is the City of Joy!

Here's Rachel, a 14 year old runaway victim on a bicycle headed for a destination on the other side of dangerous territory. I give her a ride through the war zone, some money, and very little advice. Her story is subject to change and her own interpretation. She is busy writing it now.

There is a solid black ball of fur with her eyes still closed. Newborn and as blind as I am with my trust when my neighbor hands her to me like a delivery room doctor. I am hooked. I am bonded. I don't NEED another mouth to feed! I bottle feed her night and day and try to determine if she's dog or bear or ape or otter. She favors all of these. When she finally opens her dark and milky eyes to the world and solemnly regards me, I know I have a dog here that will make something of herself.

Then there is this bird who felt the nature of me and settled into the hollow between my breast and clings to my fingers like branches with so much trust and for such a long time. He only protests when I put him in the Russian basket. Then, there is only me. Queen of the Lepers, Queen of the City of Joy.

It is the next day. I call all of the experts I know and ask how I heal this wounded bird. I tell them it's a juvenile, its mouth still large and comic and Hari Krishna yellow. It has taken to singing in the Russian basket by my bed when I talk to it. I laugh at the exuberance and encourage the song. We continue our conversation throughout the day.

Tina is a wetland scientist and can take the pulse of natural things. "Call the ornithologist at Lowery Park Zoo", Tina says after we mutually reject contacting a Grand Dame of the Audubon Society Tina knows of. We discuss it and agree that this is a woman best approached about birds at a charity ball when dressed in black and white peau de soie. Her field of expertise never takes her beyond the trees in upscale Beach Park. Never call her on a Sunday to ask about regurgitated worms for such a lowly creature such as this bird. It's not a member of some exotic, protected species. No flavor or cause celebre of the season discussed between socials and cocktail parties for the West Shore Registry.

I see by the light of the day that the wounded bird is a mockingbird male, plain and simple. Only the impersonal advice of some zoological medico will do. I call, am referred to an exotic bird care facility anyway. No. They do not know how to care for nor heal this simple and plain bird, but they'll tell me what to do nonetheless. I've been through this impotent road map of patronizing medical advice myself. This sounds familiar.

So. I mix up a paste concoction of fish food and canned Friskies and put pellets of it in the bird's huge Hari Krishna mouth. I'm awkwardly trying to find my own way to heal it. It is stunned into silence as I try to imitate a mother bird feeding her paste concoction of masticated worms. Tina told me to spit in it to help the digestive process.

But I cannot. I remind myself that I was spat on as I walked to the bus stop by three teenage boys driving around in a privileged car their parents bought for them with the proceeds of a stock portfolio and a medical practice. Needing to place me in their world, they laughed as they drove away. No. I will not spit in this bird's food.

I borrow a book from Shirley. I know that she'll have one when I call. She always has what I need on a shelf somewhere inside her house. She warns me against giving the bird water and recommends chopped up grapes and melon. I remember this. The advice that Shirley gives is always pitch on constructive.

I put the bird in a cage because I tried to free it this morning. It glided gracefully off of the porch to land in an awkward heap on the ground. I knew that the cats would be around for lunch soon. So. I put the bird in the cage. Not ready for flight just yet, he bows up, spreading his wings out to an impressive four inches to frighten me. Not ready for flight just yet. Not ready to fulfill the duties of being a bird. Me either. I cover the cage with the Russian scarf and say goodnight.

I am magic in my garden. I talk to birds that fly and land less than a yard away from my hand. I listen to their song to tell me who they are. "I'm over heee-rre", says the red winged black bird. "I know you are", I tell him. No ornithologist am I when I respond to "Pretty, pretty gir-rrl", from a flirty blue jay who lives in my bamboo. I laugh at the grackles that argue back and forth in the oaks. I called them the "Uh-huh, un-unk birds" until Martha told me they were grackles. Now I recognize their sporty brown feathered females and the iridescent black of the know-it-all males. I am never sure who wins their am-so, are-not arguments for it is all that they do. It concerns no one but themselves root and knob.

My magic touch extends to this quirk I have about breaking off twigs of this or that and having them take root and grow and transform when I stick it in the ground like Moses' staff. Everyone marvels at the lushness here. I take it for granted. Isn't nature supposed to be perfect? I expect it to be so. And it is.

I talk to the butterflies that land on my shoulder and pretend that I am Snow White trilling in a horrid falsetto for the huge dragonfly that lands on the finger that I hold up for her. She sticks with me anyway. I talk to the big brown wasp that traces circles on the back of my hand. I admonish him with, "I'll not harm thee nor thine if thee do no harm to me nor mine", as he writes his message with his path on my skin. Seven generations of possums have dined here and no longer scurry away like off-centered barrels when I open the door. I'm old news to them.

And one day not so long ago, when I was feeling very weak and very sick with the heavy metals that were coursing around my body in toxic levels at the time, I forced myself to get up out of the bed and put my shoes on. If I'd closed my eyes, I knew that I would have drifted off into a sleep from which no one wakes. I opened my back door and there scattered through the trees in my yard were dozens of vultures. There was a very large one perched on the grape arbor less than ten feet away. She spread her wings and began to back fan me. I could feel the breeze from her as she fanned and looked straight at me.

I always thought that angels should come for you when it's your time. All I got was a flock of vultures. I left the house and they rose up wheeling in large spirals overhead. Diana assures me that they were a symbol of the Great Mother in ancient literature and a sign of protection. I wasn't totally convinced. I also don't see the miraculous in all of this until it is pointed out to me.

I have been miraculous with this little wounded bird 'til now. The alarm goes off. The bird does not wake me up with the chirruping he set up all day yesterday in the Russian basket.

He is dead.

Did he like my Russian basket so like a cradle better? Did he die because I tried to cage his spirit the way others have tried to cage and define mine? Was the battering he took from the cats more than his frail little body and soul could take? It is all of these. It is is none of these.

He was a wounded bird.


(Ed. Note: The image is Mockingbird Baby, June 19, 2006 by Trisheroverton. The artist captured all the vulnerability that I wrote about in this single photo.)

Sunday, December 09, 2007

Revelation

So. I got an email today from TS Slusher. Or somesuch name. The subject line read "You make me so horney just knowing you." Surely someone from my youth. Or maybe it's one of those weird skinny guys that gets turned on by cellulite and girth.

Wednesday, December 05, 2007

I'm A Millionaire


Received the following this evening. It was good news. I could definitely use the cash to supplement my art career. Spelling is atrocious. I've highlighted the ones I found. Maybe the dollar amount is a typo as well:



From:edward henry wrote:
Form Edward Henry Esq,
Solicitors & Advocates,
Block 10, Flat 5, Rue du,
Boulevard PB 51,
Togo Lome.


Dear Kerik,


I am Barrister Edward Henry Esq, a legal practitioner, I am the personal attorney to (Mr. David S. Kerik), a national Of your country, who used to work with Shell Development Company in Lome, Togo. He used to be my client .

On the 31th October, 2004, my client, his wife and their only daughter were involved in a car accident along Nouvissi express Road. All occupants of the vehicle unfortunately lost their lives. Since then I have made several enquiries to your embassy here to locate any of my clients extended relatives, this has also proved unsuccessful.

After these several unsuccessful attempts, I decided to track his last name over the Internet, to locate any member of his family hence I contacted you.I have contacted you to assist in repartrating (repatriating??) the fund valued at US$15.5 million left behind by my client before it gets con-fis-i-ca-ted (con-fis-ca-ted??) or declared unserviceable by the Security Finance Firm where this huge amount were (was??) deposited.

The said Finance Company has issued me a notice to provide the next of kin or have his account confisicated (con-fis-ca-ted??) within the next twenty one official working days.

Since I have been unsuccesfull (unsuccessful??) in locating the relatives for over 2years now, I seek the consent to present you as the next of kin to the deceased since you have the same last names, so that the proceeds of this account can be paid to you.

Therefore, on receipt of your positive response, we shall then discuss the sharing ratio and modalities for transfer.I have all necessary information and legal documents needed to back you up for claim.

All I require from you is your honest cooperation to enable us see this transaction through. I guarantee that this will be executed under legitimate arrangement that will protect you from any breach of the law.

Best Regards.




Barr Edward Henry Esq.
Principal Attorney,
EdwardHenry Chambers
Lome Togo.



My Answer:


Date: Wed, 5 Dec 2007 17:24:06 -0800 (PST) From: "Dina Kerik" <xxxxxxxxxx> View Contact Details Add Mobile Alert Subject: Re: Kerik's Estate To: edwardh007@yahoo.com


The only Kerik I know of worth more than a million is a cousin, Bernard Kerik, former Chief of Police of New York City under Rudy Guliani. Would you like me to put you in touch with him? He's under Federal indictment for various tax and mob problems, but I'm sure he'd be willing to send you something.